Happy New Year – It’s going to be EXCITING!  

Yes!  – It will be an exciting 2018! Why, you may ask? 

Well, I have been working feverishly on a new project since the release of the first CD, “TEST DRIVE RAW”. I have been working with a few musician friends – Kimo and JoeZworld. Kimo is in my neighborhood so it’s easy for him and I to get together and jam and write. Mr “Z” on the other hand is down in Florida, so we are trading off on idea’s and sending files back and fourth to be worked on. All in all we are looking to release another CD sometime in the first 6 months of 2018. The name of the album will be, “Eclectic Collaborations”. Looking at 14 brand new songs with a bonus track for a total of 15. Will be working on the finishing touches after the 1st of the year and the CD cover art design. Can’t wait to share as there are some really good music that we put together that i’m sure you will enjoy listening too. Hopefully, I can also complete a few video’s to go along with the release.

So stay tuned in, it’s going to be an exciting 2018! 

I remember Keith at the Mudd Club. The club had a few floors, the basement was where the bands would be hanging out before they were going on stage. The first floor was where the bar, stage and dance floor presided, the 4th floor was an art gallery in were I first met Keith. At the time he wasn’t really a known commodity as of yet, but a hell of a nice mild mannered guy. My partner Bill and I used to go up to the 4th floor to hang out between bands or just to get away from the level of noise and craziness that was on the bottom floors. For the most part, unless there was some in-prompt to event going on it was seemingly quiet on that floor. We used to hang with Keith and talk, were he came from, how did he get to New York City, when did he get into art, his likes and dislikes and so on. One time we were kidding around with Keith and Bill asked him to draw a dog humping on a napkin. I asked Bill if he still had it, he said he would have to look as it was a long time ago and who would know that Keith would be an Icon in the art world after he died in 1990 of HIV/AIDS at the age of 31.  If Bill finds the napkin, I will post it.

Some comets traverse the universe and come back around for a few spins around the sun, and some comets just burn out way to soon and leave behind a tail of stardust to admire and wonder, “what if.”

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My partner (Bill Veldran) and I worked with many bands over the years when we owned and ran Centour Sound. One year we produced over 350 shows by either having systems out, in which we had 3 complete PA systems or was managing a club or on tour with a band. That year Bill was touring Europe with Motorhead, I was doing weekends producing the shows and bands at the Mudd Club and all 3 PA systems where out with bands like Jelly, Insex, Tom Robinson among others that I can’t even or don’t want to remember. All of that in between playing with the Lampshades band – Talk about living, breathing and eating Rock N Roll, WE DID IT.

Literally it went something like this – getting up at 12 or 1 pm – working on the equipment, repairs etc. – on the phone booking systems with bands – loading up the vans with equipment –  leaving by 6 or 7 pm – setting up and doing a sound check –  eating a quick slice of pizza – mixing the bands to 2 or 3 am – breaking down the equipment – loading the vans – driving home and unloading the vans as the sun rises – catching  a few hours sleep and starting all over again.

Our crew, that we sent out daily and especially on the weekends on shows were Chris Connolly, Gerry Palumbo and whom ever else we could grab to set up and mix a band. A complete PA system consisted of a full 3 way speaker system (Bass, Mid and High end), monitors, an amplifier stack with crossovers, microphones mainly the work horses of Mic’s SM57’s and 58’s, a mic snake, mixing console, mic stands and cable’s, a Roland space echo and EQ’s and a lot of humping of equipment around all over the dam place. We particular got into a genre of reggae bands from Brooklyn that we were getting a lot of work from–one band that stands out was Burning Spear among other local reggae bands in the area. This part of the business was so interesting as we did do some many different types of bands and  music. In future blogs I will break down some of the shows Centour sound produced in detail – some fun facts and great stories.

My CD, “Aldo Buzzi -Test Drive RAW” has gotten some good Radio airplay and is getting some notice oversea’s. Countries like Japan, Israel, Australia, Philippines and Taiwan are leading the way with many plays and downloads. Here in North America, the United States is leading the way and I would personally like to thank everyone in the states for listening and downloading my music with Canada and Mexico right behind the US and getting some great play with Test Drive.

Go to the below links to listen and download

https://store.cdbaby.com/cd/aldobuzzi

http://www.jango.com/music/Aldo+Buzzi

Available for download on iTunes, Spotify, Amazon Music, Jango Radio 

 

 

 

Did I mention I mixed the Tuff Darts at Max’s? That was a cool rock-a-billy type band.for-the-love

There was so many really good bands and artist’s that had marginal success at best like the Robert Gordan & the Tuff Darts. Some of them had an album or 2 out, some of them got F’d up on drugs and other crutches and died at an early age and a lot of them never amounted to anything but a flash in time and some just faded into the upholstery never to be heard or seen again.

The John Collins band I was particular close to as I was a close friend with the Guitar player Mr. Gary Blankenburg or Blank as we called him. There was some other bands that in my opinion really sucked but for some reason was part of the underground punk music scene like the Ramones and the Dead Boys, in which one night when I mixed those idiots (the Dead Boys) part of the act was Stiv Bators the lead singer raped his girlfriend on stage. That was the shock appeal that that genre was looking for, now you have some looking back and immortalizing them as pioneers of the punk generation. To each there own!

 

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Stiv Bators and the Dead Boys at Max’s Kansas City

There were some artist’s that was always pleasant and fun to be around and deal with, like David Johansen from the New York Dolls, later to have a decent solo career. Also another favorite was Mink DeVille, just cool sharp rock n roll with some ethnic flair.

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David Johansen – New York Dolls

Another gentlemen or let me rephrase that another gender bender was Wayne County who became Jayne County and the Back and Street Boys – Fun and interesting, always going out of his/her way to say hello! That was all part of the fabric that was Max’s Kansas City in the 70’s.

Wayne County concert poster from the late 70's
Wayne County aka Jayne County and the Back Street Boys

Note: I found all these pictures from the internet – as I have none of my own from that time period, as who the hell carried a camera around with them back in the late 70’s and 80’s and of course cell phones did not exist! So thanks to all who took these pictures and full credit is deserved.

 

 

 

 

 

As previously mentioned, my partner and I were the production managers and engineers at the MUDD club during part of it’s hay day in the underground art and music scene. Having that in with the club and owner Steve Mass, it was easy for me to hook up my band, “The Lampshades” for a Saturday Night gig.  The pictures were taken from the front of the stage so -apologies to our drummer Gary Sabshon was not in any of the Mudd Club pictures.

Enjoy the pictures and the set recorded LIVE!  

 Great Pictures of THE LAMPSHADES – playing the MUDD Club!

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Al B. Front – Jim T. in the Back
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Jim Tucker – Guitar
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Al B.- Bass Guitar – Ken Kern – Guitar – Gary Citro – Keyboards
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MUDD Club 1981

Enjoy the entire set we played that was recorded LIVE at the MUDD Club 1981