In My Dreams is the #10 on the Eclectic Collaborations Album. The video In My Dreams is a bit autobiographical, written with my wife in mind. Certain lines like, “Now it’s just the two of us” is about our children that are now grown up with lives of their own and we only have each other. The chorus is my admiration for my wife and our love together, how I will be true and always love you. The dichotomy of the song is the guitar lead that I wanted Kimo to come up with in which it is similar to Chris Isaak’s, “Wicked Game” lead guitar riff, as I just loved that guitar riff. In My Dreams is a melodic love song with smooth flowing music ending with the subtle rumbling of neon waves.
Jon Tyson, Frank McKenna, Everton Uila, Kaitlyn Baket, Lorenzo Di Cristina, Sabina Ciesielska, Toa Hefliba, Rmin Khatibi, Clem Onojeghuo, Josh Rockledge, Max Hofsetter, Zoe Holling, Chinh Le Duc, WmVan T Einde, Casey Lee, Ulses Baga, Fssac Mehegan
In the midst of recording groups such as John Zorn, Sonic Youth, Liquid Liquid, Glen Branca and many others, Don Hunerberg and Andy Blinx found time to hone their own unique sound and version of Post Punk, No wave, Synth Wave with the tools of the trade of the early eighties. Situated above the proscenium of the Radio City Music Hall stage, the studio was outfitted with a variety of orchestral instruments. 4 of these tracks were released on a fexi-disk in 1980. Those and an additional eight are heard on their 2008 release “now again for the first time”.
The original source of the music bed for the DJ Hell hit single “Keep On Waiting” The band Intense Molecular Activity released a 4 song flexidisc in 1980 and released a CD with 8 more songs from the original sessions in 2008.
Sorry to say Andy has passed away a few short years ago and he is missed for his inventiveness and creativity
It took us about 4 sessions between 2 weeks to complete the recording’s. Lot’s of fun, it really was an experience that I will never forget, if I can remember anything at all (lots of drugs and alcohol). There was also some instruments in the studio that was at our disposal, Piano, Vibes and some percussion items. We recorded the masters on 2″ tape reels – Do these exist anymore?
All said and done, “The Lampshades” recorded at Radio City Music Hall, that in itself was a moment in time that few get to do. As so many celebrities, famous artists, and the Rockettes (in which I really never understood the fascination) except they are all hot chic’s and their leg kicks are amazing, went through those doors of that famous iconic theatre.
After playing the Bar scene for a few years we finally had enough cash to start on the 45′. Andy Blinx a good friend, fellow musician and artist had an in at Radio City Music hall with the engineer Don Hunnerburg. So we took some of the bar cash equity to record 4 songs at the Radio City studio’s shooting to do a 45 record on our own. We invited John Kessler along to help with the production on the mix. We had the mindset to record 4 songs and pick the best 2 to put on the 45 and release. Out of our repertoire of about 12 originals at the time, we picked the best 4. They were, Kangaroo, Space Trot, Banana Rock and Situation. The recording sessions began albeit from 12 midnight until 4 am. That’s the time we could get for about next to nothing in cost as the studio was vacant at that time slot.
The lampshades went through many band mates until it’s final 5 was established. The first true band set up was myself, John Donnelly, Pete Fagiola, Gary Citro and Robbie Nichole’s. We wrote a few original songs but the majority of the music was cover music. The covers that we played were very eclectic, from Pink Floyd to the B52’s, Devo and the Doors.
At 17 was starting to live and breath the moment
John left the band and new member Kenny Kern joined us. Kenny was an extremely versatile musician and is a really great guitar player among the other instruments he could play he also sang very well. We continued to dabble in some original music but embarked on doing 3 sets of cover music so we could play the Long Island Bar circuit and earn some cash. Not too long into playing at some Long Island hot spots like Wooden Ships, Uncle Bob’s Rocking Fun House, Camelot Inn and some place in Massapequa in which right now the name eludes me. Soon after we started playing the circuit we had to part ways with Robbie, as he was tough to get along with and really was not a good musician or should we say his musical taste’s didn’t taste very good. Now to find another guitar player in comes Jim Tucker. Jim was a good solid rhythm man and could also sing. This group of 5, Ken, Jim, Gary, Pete and me started writing a bunch of original tunes. Still playing covers in bars and a few colleges to get cash, we began to integrated some of the original pieces into the sets. Andy Blinx a good friend, fellow musician and artist had an in at Radio City Music hall with the engineer Don Hunnerburg. So we took some of the bar cash equity to record 4 songs at the Radio City studio’s shooting to do a 45 record on our own. We invited John Kessler along to help with the production on the mix.
Being that Andy got us the inside track to record at Radio City, the only caveat was that we had the studio from 12 midnight to 4am. Needless to say what we did to keep up – was something called sex, drugs and rock & roll! Thank-you Mr. Blinx!