Over the last year, Since my last album, “This is My Life”- I have been working on some new stuff in which I feel is some of my best to date. I bought a couple of new guitars (Epiphone wildkat hollow body in Burgundy red and a Black Ibanez solid body guitar) BOY! I have been having a lot of fun putting some hot licks down with those 2 axe’s. The drum tracks are solid and kicking with some nice catchy beats, interesting and fun. There is my ornamentation of sounds from the Maschine Mikro MK3. Some organ and percussion in which I love. Among many other instruments on these tracks. All accompanied by some sassy lyric’s, with a bunch of well placed harmony parts. – Hoping to complete all by the fall of 2020 POST COVID 19!

Although you might just be treated in the next few weeks to a teaser single from this album (still to be named) – You all need to stay in touch, keep checking and follow me on this site and on Spotify, Soundcloud, Bandcamp and many other digital streaming services for this single release.

Sugar Boom has gotten a lot of play’s via Spotify, Sound-cloud and You Tube

Sugar Boom!

AVAILABLE ON CDBABY, SPOTIFY, ITUNES, APPLE MUSIC, AMAZON, YOUTUBE MUSIC, IHEART RADIO AND MORE!

SONGS & ALBUM CD FOR DOWNLOAD GO TO:
  HTTPS://STORE.CDBABY.COM/CD/ALDOBUZZI

Thanks to all the photographers from Unsplash Mihai Stefan, David Len, Brook Lark, Terry Vlisidis, Annie Spratt, Holger Link, Snowy Vin, Shireah Ragner, Thomas Parks, Chris Barbalis, Andrew Worley, Stephany Loreana, Jan Zhukov, Micah Hallahan, Neven Kremarek, Craventure Media, Zachariah Hagy, Yuiza September

Yes–it’s been a rough couple of months – Starting at the end of January, I contracted Bells Palsy – It’s a virus that attacks the nerves on one side of your face and paralyzes that side of your face – Happens to be my left side of my face. I was on anti viral med’s and steroids for about 3 weeks. I had the Bell’s Palsy once before when I was about 29 years old, it really sucks. Things that you take for granted , like blinking your eye does not happen and the percentage of folks that contract it a 2nd time is about 5% to 8% – Lucky Me!

Aldo Buzzi
I got the Bell’s Palsy!

The second thing that happened to me is an upper respiratory infection in which I had to be on heavy antibiotics for over 2 weeks.

The 3rd was my kidney stones started acting up. I have an 8mm and 2-5mm stones all in my left kidney. I was supposed to get them blasted (lithotripsy) in which is a shock sound wave that breaks up the stones to more passable sand. Alas–due to the Corona-virus that procedure had to be postponed. Thank god the little bastard stones have not moved or I would be in serious trouble. That means i’m on a holding pattern and still nee to have this procedure.

What a fucking horror show the last few months!

In between all the above, I have still been able to keep writing and playing. Actually if I do say so my self–I have a few songs written in this time period that are really smoking good!

And now this, “COVID-19”

Thank God I did not contract this virus – I would like to hope the world recovers extremely fast from this virus so we can get back to our lives. Please be safe, be healthy and help each other through this pandemic. Call a friend or a neighbor -stay in touch, share some love.

Yup! I’,m working on it, another new album and I’m very excited as I already have 5 songs done (just tweaking). And in the midst of writing 2 more.

I always find it so exhilarating writing, playing and producing new music. It is such a process that is so fulfilling, when I start off with an idea or a riff, start to build and layer and make it into a song. My process usually starts off with the rhythm, a bass riff or drum track. To me that is the foundation and from there my ears take over as I hear in my head what the song could and should be. Then I start layering, it could be guitar, it could be keyboards, or a virtual plugin, in essence it could be any instrument I play in which I start laying down tracks as it reverberates in my head. Then I listen to it on my hour to an hour and a half ride to work daily, continually playing it over and over and over. I hum to it, sing to it, make noises to it, to get down what more I want to add to the song. When I get home that evening (after listening again the whole ride back) I will rush up to my studio and lay down a few test tracks just to capture the right riff’s or vocal phrasings, this way I won’t forget what I wanted it to sound like or add in. This process can take only a few days or even is some cases months before the song is finally were I want it to be musically. Then the next step is the mixing and production that needs to be done to finalize and really make it a sharp, sleek and sounding great. Again on my hour and a half ride to work daily, I repeat continually playing the song over and over and over. This way I hear where I want to balance the instruments, add embellishments and ornaments to achieve that professional sounding song ready for release. This is my process that works for me. Oh, for those of you that may ask – I don’t have a name yet for the album that will come to me at some point. I do have some idea’s so I might need some help. What do you think I should name it?

Keep checking in on it’s progress and eventually a release date.

Cover Photo by Oscar Keys on Unsplash

With Latin percussion through out the song — a song with Spanish Flair – You must know how to dance to the Bossa Bass a Nova? If not you should take the time to learn, it’s just a two step – slow- quick quick 1-2 – Now that you got it, I know you got it – Let’s take it Uptown!

Sundcloud Bossa Bass a Nova
Spotify Bossa Bass a Nova

Have you ever been in that place where you love someone so much you can’t stand the person? When you are around them you want them to go away, but when there gone you miss the hell out of them? You fight most of the time but the make up sex is figgin fantastic? How many times have you’ve been Crazy in Love? You do stupid things for the one you think you love. You go out on a limb, you fight, curse and make up. Listen to you’re heart, but don’t get lost in love and lose yourself when you are, “Crazy in Love”

Crazy in love is just that way!

Cover Photo by Denys Nevozhai on Unsplash

Come on – Come on–was inspired by Paul McCartney’s Eygpt Station album -I enjoyed the back and forth guitar sounds from one of the title tracks, ” Come on to me”. I think you will hear that in the beginning of my song if you compare the two. Obviously by no way am I comparing myself to such an accomplished and ground breaking artist of one of the founding fathers of the Beatles. Although the influences are there and I would say any inspirations from any artist helps develop more songs and music is a great thing! (I hope Paul would appreciate that point) – The words are an anthem to being yourself and not caring what anyone else (or the Establishment) Thinks – Enjoy, “Come On Come On”

Cover Photo by Nathan Dumlao on Unsplash

How many times have you’ve been Crazy in Love? You do stupid things for the one you think you love. You go out on a limb, you fight, curse and make up (yes the make up sex is fantastic!). Listen to you’re heart, but don’t get lost in love and lose yourself when you are, “Crazy in Love”

Crazy in Love -On Soundcloud

Cover Photo by Denys Nevozhai on Unsplash

Sex & Train wrecks

With its 2 bar cowbell intro ‘Sex & Trainwrecks’
might have gone in a different direction but, true to form, it quickly
becomes familiar Aldo Buzzi fare. The tune takes a melancholy theme
and punctuates it rhythmically with a post-punk architecture and a
Caribbean undertone. As regards the lyrics the listener asks who
are the victims? The rule of ‘poetic license’ is applied heavily and
as always in Aldo’s material there may not be any ‘straight line’ lyrical
commentary – whereas one might associate the sound of a train wreck with a cacophony of screeching, crushing and twisting metal this track maintains
a steady rhythmic 4/4 beat -train wrecks are probably not agreeable to
rhythmic consonance.

The intertwining instrumental layering is familiar and against the cadence
of the lyrics we are met with an Edgar Allen Poe-esque tapestry of the
dead possibly dreaming and the question answers itself by asking if
the dead still dream. It’s an interesting set-up of superpositions
as our subjects appear (at least in the words) to be both dead and alive.
Thus a moderately tempered tune has more depth than the main thematic
material implies. This listener found it a little trancy and ‘retro’ – I hear
‘post punker’ ghosts responding and the outro of this tune is in lock-step
with the very movement that gave it life. – Joezworld June 2019

Sex an Trainwrecks



When you’re in the coffin of life. What do you dream when you’re feet under?

Photo by Emiliano Vittoriosi on Unsplash